
The Shards
THE SHARDS is 600 pages of Gen-X angst, teenage infidelity, aimless driving, serial killer hysteria, and gay sex a-go-go. And it is good. Continue reading The Shards
THE SHARDS is 600 pages of Gen-X angst, teenage infidelity, aimless driving, serial killer hysteria, and gay sex a-go-go. And it is good. Continue reading The Shards
GANGLAND is an in-your-face page turner of a story that is hotter than a stolen bracelet and cooler than a Lake Michigan breeze. Continue reading Gangland
Upgrade is fast, fun, and inventive… with a lead character that is as boring as your high school organic chem class. Continue reading Upgrade
Perfectly fits the Jersey crime subgenre with its quick wit and razor-sharp dialogue but the pacing gets stuck on the GS Parkway. Continue reading The Self-Made Widow
Anthem is fatalistically entertaining, depressing as hell, and one incredibly good read. Continue reading Anthem
Secret Identity is a plodding mystery enveloped in a disappointing read with only significant comic-book namedrops to keep things semi-interesting. Continue reading Secret Identity
Meyer’s writing is top notch. His style is completely immersive. And man, is it terribly boring. Continue reading The Return of the Pharaoh
Razorblade Tears: One part 70s revenger thriller. One part. 80s buddy cop actioneer. And as masculine as ice cold PBR on draft. Continue reading Razorblade Tears
Late century pop culture references aside, RABBITS becomes too dense with its own mythology to be anything more than ridiculous. Continue reading Rabbits