An extremely uneven collection both in story and art.
Seeing as how Neil Gaiman, who created both Sandman and his brethren the Endless, wrote all seven chapters, this can be frustratingly odd, as Gaiman usually brings his a-game. However, one can look at this collection with the understanding that he, along with some of his artistic collaborators, were simply in the mood for exploration.
The Sandman: Endless Nights contains seven chapters, each depicting a tale that spotlights a member of the eternal Endless. At least that’s the concept, even if not fully demonstrated. “Fifteen Portraits of Despair” is exactly that, fifteen vignettes of personal, rather than the entity’s, woe presented, with what we’ll call art, by Barron Storey. “On the Peninsula”, supposedly Destruction’s story, instead focuses on two archaeologists, as well as Delirium, but not as much of the lone brother whose name graces the chapter page. However, the concluding story, on Destiny, does indeed prominently show the character… as he walks through his garden.
The other four tales are all much more in line with both the characters and the prose expected by Gaiman, and all with beautiful art. Particular of note is Delirium’s “Going Inside” as Bill Sienkiewicz’s mixed-media renderings are a fantastic call back to his early Marvel work.
Endless Nights was published in 2003, which is when I originally read, and promptly forgot about, this graphic novel. Mostly targeted towards series completists, this novel is completely accessible for all of Neil’s impressive fanbase as he delves into the realms of fantasy and history, science-fiction and horror, and, of course, dreams. Gaiman’s library, however, certainly contains other top-shelf reads for the promotion of a good night’s sleep. Endless or not.