The Slave
Fun and slightly silly, Sergio Corbucci’s sword-and-sandals pseudo-sequel The Slave is a highly-enjoyable matinee-flavored classic that cleverly wraps around a timeless morality play. Continue reading The Slave
The Hobby
Surprisingly? The Hobby is wholly entertaining. And only possesses a whiff of that cult-ish fragrance. Continue reading The Hobby
The Last Murder at the End of the World
Too much world building. Not enough murder mystery. Continue reading The Last Murder at the End of the World
Stranger In The Woods
Stranger In The Woods could have been a Millennial version of The Big Chill as the thriller aspect of the story is almost treated as an afterthought. Continue reading Stranger In The Woods
L’Incidente (The Accident)
There is quiet power in Garau’s show-don’t-tell hour-long feature. However, attempts at heavier dialogue would have directed stronger sentiments and a deeper level of understanding. As it shows now, L’Incidente feels like a cinematic bring-your-child-to-work day. Continue reading L’Incidente (The Accident)
Molli and Max in the Future
This “When Harry Met Sally in the 25th Century” could hit warp speed with Millennials or Gen-Zers looking for love in the stars. Continue reading Molli and Max in the Future
Young People, Old People, & Nothing In Between
Young People, Old People beautifully shows the love between friends and the importance of togetherness. Continue reading Young People, Old People, & Nothing In Between
Dario Argento: Panico
Dario Argento: Panico provides a totally-fine overview of the auteur’s work – but the only haunting comes from Argento’s tired eyes. Continue reading Dario Argento: Panico
Blockbuster
Blockbuster is an explosively-fun short that erupts with humor and a love of the movies. Continue reading Blockbuster
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